1. Julio Bashmore – Ensnare [Future Boogie]

2. Nicolas Masseyeff – Mugen [Herzblut Recordings]

3. PQM – Are You Sleeping (Deaphead Pass) [Yoshitoshi]

4. Christopher Groove – Animales de la Manana (Stella Edit) [Moon Harbour Recordings]

5. Damian Lazarus – Diamond In The Dark (Dop Remix) [Get Physical]

6. Sante – Ce Una (Carlo Lio Remix) [Bouq]

7. Coll Selini feat John Harris – Essential Love (Rony Seikaly Remix) [Unknown]

8. Sinisa Tamamovic, Jay Lumen – Double Tap [Form]

9. Matteo DiMarr, Ant Brooks – Feel It [Mar186]

10. Julio Bashmore – Battle For Middle You [PMR]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

2. System 7 – PositiveNoise (A.Mochi Remix) [Wakyo Records]

3. Joris Voorn, Moby – After The After [Rejected]

4. Danny Freakazoid, Strobe, Federico Scavo – Feroda [Great Stuff]

5. Mat Zo, Arty – Mozart [Anjunabeats]

6. Pig & Dan – Love Song [Yoshitoshi]

7. Sinisa Tamamovic – Waking Up [SCI+TEC Digital]

8. Sharam Ft. Anousheh – Our Love (Dub) [Yoshitoshi]

9. Adrian Hour – Did The Earth Move [Freshin]

10. Felguk, Dirtyloud – Nudge [Dongle Records]

11. Deadmau5 – Where My Keys [mau5trap]

12. Digitalism – Circles (Eric Prydz Remix) [Pryda Friends]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

2. Sharam Ft. Anousheh – Our Love (Dub) [Yoshitoshi]

3. David Mayer – Fortune [Paso Music]

4. DBN – Gimmie Gimmie [Yoshitoshi] OUT 1/17!

5. Quivver – Funktribe (Pig & Dan Rmx) [Yoshitoshi]

6. Sinisa Tamamovic – Riot [Unreleased]

7. Azari & III – Hungry For The Power (Jamie Jones Ridge Street Remix) [Turbo]

8. Namito – Of Mice & Hares (Pleasurekraft Remix) [Kraftek]

9. Carlo Lio & Coyu – Mike Loves The Horn [Rejected]

10. Jon Rundell – Conform  [Etch Recordings]

11. Remy Unger – Jawgrinder [Gem Records]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

Sharam’s new single ‘Our Love’ is now available exclusively on Beatport!

Check out these previews below and stay posted for the release of new mixes in the coming weeks.

Sharam feat Anousheh – Our Love [Promo Edit] by Sharam

Sharam feat Anousheh – Our Love (Dub Mix) [Promo Edit] by Sharam

Press Release:

Grammy Award winning producer/DJ Sharam returns with his new single “Our Love;” released on the world renowned Yoshitoshi Recordings. “Our Love” is a fantastic return for a producer known for making pure magic when uniting a storming instrumental dance track with the perfect vocals. The voice of “Our Love” comes from Iranian-American singer/ songwriter Anousheh Khalili who’s best known for her appearance on Deep Dish’s “Flashdance” and “Say Hello,” which was nominated for a Grammy in 2006 in the Best Dance Recording category. On “Our Love,” Sharam balances an uplifting piano and throbbing basslines with Anousheh’s gorgeous vocal right over the top. It’s a wonderful send-off to 2011 and a sign of great things to come from Sharam in 2012.

“I’m a firm believer in innovation in music and work hard to try new things and not to repeat myself. That may result in a song taking longer than I’d like to become final, but that’s sometimes what it takes to perfect a song that I believe in so much. So without further ado I’m happy to present “Our Love” featuring the beautiful and haunting vocals of Anousheh,” Sharam Says “Our Love” comes on the heels of Sharam’s first mixed CD compilation in nearly five years – “Sharam Live at Warung Beach Brasil.” Recorded live at Warung, Brazil’s electronic ‘music temple’ this three-hour genre-bending set stands as a testament to Sharam’s dedication to educating while entertaining the masses without any musical limitations. Not only was his head- turning 10-hour set a hit at Warung breaking the club’s all time attendance record, the set also
formed the basis of a prestigious Essential Mix in May 2011 on BBC Radio 1, with Pete Tong describing Sharam as being “on devastating form.” “Sharam Live at Warung Beach Brasil” is out now. Buy it now from Beatport and iTunes.

5. LIV –MIAMI, USA

Imagine if you combined all the clubs above in
to one and then added 100 lbs of posh on top. It’s the super model of all clubs. It’s the only VIP club that can instantly morph into a gritty and dirty underground club. It’s totally up to the DJ where you want to take the crowd. It’s like you have a Porsche Panamera at your disposal; it can be a head-turner luxury saloon in true South-Beach style in one minute, and it can become the baddest beast on the road racing passed you like a high end sports car – you the driver can make the choice and LIV the club will deliver it in an instant. But you better be a good driver because at speeds that high with one wrong move you might crash and burn.

4. DISTRICT 36 – NY, USA

I’ve only done two shows at this new club and I can tell you that I have found my new home in NYC. Great DJ booth set up, proper sound system, and a dark dance floor – which is how I like it. They have the perfect balance of gritty dancefloor space and VIP where both type of the main focus is the DJ and the music.

3. AVALON – LA, USA

Probably one of the last super clubs in the US, especially on the West Coast. Just like Warung and Beta, they provide a playground for all kinds of DJs to do their thing with a varied crowd from night to night. It’s one of the last places in the US that I get to play a long set with total freedom and take people on a musical ride in full control. LA in general has a very educated crowd and I believe the roots of it is veteran promoters like Dave Dean and Kobe working so closely with Avalon over the years to bring the best the world has to offer – again with a balance of business vs. creating a playground to educate the crowd by bringing diverse acts. I’ve had some of my best experiences as a DJ at Avalon playing until 8-9 in the morning with the crowd still in tow. That’s a hard feat anywhere in the world, especially in America. They are another club that are constantly looking to evolve.

2. BETA – DENVER, US

Some clubs get it and some don’t. I happened to do the grand opening for Beta a few years back and they still had a lot of kinks to work out on the opening as most new clubs do, but w hat set them apart was their instant dedication to wanting to know what DJs liked and didn’t like about their new club and actually listening to them and making those changes. Beta stands as one of the clubs in the world that I really look forward to playing at. Fantastic sound system, properly placed DJ booth and a dancefloor suited to interacting with the crowd, and most importantly, an educated crowd. Cities/clubs don’t end up having educated crowds on their own. There is usually a catalyst and in Denver, it’s Beta and the team behind it. They understand the balance of wanting to have a financially successful club and making sure they continually bring all kinds of acts from different corners of dance music for the betterment and growth of electronic music.

1. WARUNG – ITAJAÍ, BRAZIL

People often ask, what is your favorite club/the best place to play? My answer is always the same; any place with a great sound system, capable promoters, a proper setup for the DJ, and an engaged crowd. If there is one club that gets it right 100% of the time, it’s Warung in Brazil. Factor in the location of the club, set amidst a huge beachfront nature preserve and it’s patrons, who happen to be amongst the world’s most beautiful and enthusiastic, and you end up with a clubbing utopia for DJs and fans, the likes of which are rare. I would be surprised if it weren’t the first choice for countless other DJs who’ve had the pleasure of playing there. Playing at Warung makes me want to experiment with music and be the best DJ that I can be. The connection with the crowd along with the feeling you get after playing a ten-hour set is pure perfection and the crowd always makes you feel like the feeling is mutual.

Check out the full article in this month’s issue of Tilllate.

2. Gary Beck – Funk Up High [Saved Records]

3. Robert Dietz – Bingo Wings [Saved Records]

4. Rodrigo Laffertt – Vertiente (Rondan Lobos Mix) [Formula Recs Digital]

5. Pig & Dan – Love Song (Gustavo Bravetti Remix) [Onolog]

6. Anil Chawla – Silver Digger [Saved Records]

7. Carlo Lio & Coyu – Mike Loves The Horn [Rejected]

8. Henrik B – Acid Rocker (David Tort Remix) [The Mansion Recordings]

9. Spektre – Seq and Destroy [Respekt Recordings]

10. Tom Hades – React [Rhythm Converted]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

1. Quivver – Funktribe (Pig & Dan Remix) [Yoshitoshi]

2. The Junkies – One Question [Monique Musique]

3. Gregor Thresher – Lights from The Inside (Dosem Remix) [Break New Soil]

4. Nic Fanciulli – Neve & Me [Saved Records]

5. Carlo Lio & Coyu – Mike Loves The Horn [Rejected]

6. Jon Rundell – Conform [Etch Recordings]

7. Khainz – On The Weekend (Glitter Remix) [Echoes Records]

8. Sharam – Que Cubano [Yoshitoshi]

9. Pablo Rez – Straight [Snatch Records]

10. Drumcomplex, Frank Sonic – Infected (Sinisa Tamamovic Remix) [Techno League Records]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

TVD got in touch with the Grammy award-winning artist via email this week as he was performing in Brazil. We discussed his DJ career, his love of DC, and the recent influence of muscle cars on his latest releases.

How long have you been DJing? What are some of the more memorable moments from early in your DJing career?

I’ve been DJing as long as I can remember. I used to cut cassette tapes together with a double deck player and a Walkman as a kid in Iran, then we moved to the US and I discovered the whole vinyl and mixer thing, and I’ve been DJing ever since. At first we were throwing school parties just so that I could get a chance to DJ and play my records for a live audience. I was then able to secure random gigs here and there, which made me very happy.

My best memory was dropping Lil Louis “French Kiss” at a Rock & Roll/R&B club called Quicksilver where I had to drop Guns N Roses next to Levert and Guy and stuff like that. I had just gotten a copy of it before the record became huge and was very excited to play it. So when I dropped it, the entire club stopped and looked at me in shock. They didn’t know what to do. Everyone then left the dance floor, and of course they never called me back for another gig. This became a regular thing with me for a while.

Sharam | Fun (FTDK Radio Mix)

How interactive is your recording process when you work with big name artists like Kid Cudi and Chris Martin of Coldplay? Do you go into the studio together, or do you exchange mixes/lyrics/beats digitally?

Usually everything I do starts from an idea or inspiration. Once I feel good about it, I circulate it to whomever. I prefer not have too much interaction with the people I’m collaborating with at first.

1. I get star struck and can’t concentrate if they’re too big.
2. I feel like I need to be able to think without having to worry about what others think of what I’m planning—I know the end result in my head, but not everyone sees that, so I keep the process to myself until I’m done as the project takes on many shapes and forms before it’s done. That’s how I can be most creative.

Your music crosses over into a lot of different genres, but with which one do you feel most comfortable? Do you have a stand-by that you always enjoy mixing and playing?

I have a very varied range of influences, so I can get with all kinds of music, and I experiment a lot with combining different genres and pushing things to achieve something new—as a DJ and as a producer. For me, DJing and producing go hand in hand. Behind the decks with an audience in front of me is where I fine-tune my projects and come up with changes and different ideas. They both are integral parts of my process.

Do you mix digitally or with real vinyl, or both? Why do you prefer the method that you use?

Of course, like many DJs, I was a huge vinyl junkie. But over the years as technology progressed, it became easier to carry your music on CDs and then on your laptop via Traktor. My back feels a lot better as I don’t have to carry those heavy vinyl cases with me all over the world so that’s a huge plus, but I really miss the days where you HAD to be selective with your record box and could only take music that you knew you wanted to play—there was only so much room.

It was impossible to take more than two crates half way across the world so you constantly “cleaned” and “updated” your inbox per se. Now you get to carry everything with you all the time, which is great in its own sense, but it means you have to have a memory of an elephant to remember songs by name (rather than by looking at a vinyl label and knowing instantly what it was and what it stood for).

Sharam | Sharam’s Wildcast #48

Talk about working with Deep Dish. How does the music of Deep Dish differ from that of your solo work?

With Deep Dish there was always a ying to a yang. You always have that other person that you trust, to give you feedback or to take over the project when you get stuck. Being solo, you have to be your own motivator and your own critic. When things work out, it’s great, but when you get stuck, it can be frustrating. Overall, the process for me is always the same. Just stick to what is inspiring you, no matter how you come across it, and be as educated as possible with the music that’s currently out there—making a dent.

What first brought you to Washington DC? What do you like about DC?

Family. I’ve always loved DC. Although I spend alot of time outside of DC, I will always call DC home and can’t imagine being anywhere else for long periods of time.

You travel all over the world for DJ sets and performances; what makes you keep DC as your home base, instead of somewhere else?

Family, friends, and the fact that I can escape.

What is your favorite venue to perform at in DC? Your favorite record store to buy new vinyl?

I like playing at Lima, and this week I’m going to play at Josephine for the first time. My good friend Pete Kalamoutsos and his partner Antonis have done an amazing job over the years promoting music in the DC area, and these clubs, along with Glow at Fur, are the fruits of their relentless labor.

As for vinyl, we had our own vinyl shop for a few years in Georgetown called Yoshitoshi Shop. I still have a huge record collection, but I can’t say that I buy vinyl regularly anymore. Growing up, 12″ Dance Records in Dupont Circle was my mecca for finding Vinyl. Later on it was Vinyl Mania in New York. I really miss going to a record store and getting lost in it.

Tell me about what you like about muscle cars. Why are they the inspiration for your latest release?

They just look so damned bad ass! And they were made to go fast and last long. As a kid I was always fascinated with cars, ‘specially American cars. My favorite car as a kid was 1971 Camaro SS; I’m still looking for one in great condition.

I like to connect my music projects to a concept, and cars was one of those concepts, so I wanted to create a world within a world—and for the upcoming album it’s muscle cars. My previous album Get Wild was about Spaghetti Westerns and the soundtracks to those classic Clint Eastwood, Charles Bronson, Henry Fonda movies. I just like to keep things fresh for myself. I tend to get bored very easily.

Sharam | Live at Warung Beach Club (Promo Mix)

What else is coming up for you?

My first compilation album in five years came out a couple of weeks ago. It’s a live recording that was done in Brazil at one of the most amazing clubs in the world called Warung Beach Club. The album is a true representation of my DJing style—over a very long set.

Nowadays with how Electronic Music has evolved at clubs, people are used to the DJ playing hit after hit after hit—creating a Music ADD Nation. DJs (big and small) are afraid if they don’t do that, then people won’t respond. Then you have the opposite side where everything is underground and people go for the journey. I’m in the middle of that. I like to take people on a long journey, but I also like to throw in some vocal flavors in the middle.

So on this [album], people can experience that and relive what took place at Warung in Brazil. We put three hours of the set (from a ten hour set) into this album. It includes some new cuts that I have done recently as well as a lot of new releases from Yoshitoshi and many of my favorite tracks that I’m still playing. I’m very proud of it. So I will be promoting that in the next few months until my new artist album Speed is ready for release.

1. Adrian Hour – Did The Earth Move [Freshin]

2. Phunk Investigation – Belo Horizonti (Ahmet Sendil Remix) [Global Underground]

3. Gabriel Ben – Put Your Back Into It [Jeton Records]

4. Sasha, Krister Linder – Cut Me Down [Last Night on Earth]

5. Egbert – Dieper [Gem Records]

6. Timmo – Peal [Silicon Records]

7. Slam – Area 51 [Drumcode]

8. Rino Cerrone – Man on The Moon [Unrilis]

9. Marco Bailey – Frontline [Rhythm Converted]

10. Sharam – Que Cubano [Yoshitoshi]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

Written by Nicola Freitas

Grammy Award winning DJ / Producer Sharam is set to release 3 hours of his most talked about set this year, recorded live at the Warung Beach Club, Brazil on a record breaking night. Here he talks about that electric night, compliments from Pete Tong and similarities with Brad Pitt…

Your 10 hr set at Warung Beach Club in Brazil earlier this year has become quite a talking point as you smashed all club attendance records! What was the atmosphere like that night?

SHARAM: Electric! I always feel welcomed and connected at Warung, but this particular night there was an added energy in the room. Everyone felt it and I just kept feeding off of it. It was the best night I’ve had at the club, and I’ve had many great nights there. The funny thing is that was the first night in a long while that I recorded my set as I knew it might be a long night, and the rest as they say, is history.

How did you go about selecting just three hours of your marathon set for your forthcoming compilation?

SHARAM: I just picked three continuous hours that I felt most represented the entire night. I had to do a couple of edits here and there due to rights issues with some tracks, and some tracks had to be shortened, but 95% of the set is, as it was, recorded that night. Maybe I’ll do an encore and release some of the other sections of the night in my upcoming podcasts.

Where do you start planning which tracks to play for a 10 hr set? It sounds like a mammoth task!

SHARAM: I’m always buying and receiving new records and sometimes I keep certain records in mind for certain clubs, and naturally I have tons of them reserved for Warung or clubs like it. It’s sort of like the way Larry David writes the ‘Curb Your Enthusiasm’ shows. I have an idea and earmark certain tracks, peaks and valleys. I just vibe off the crowd and try to take them on a roller-coaster and give the thrill of their lives – I’d get bored if I knew exactly what I’m going to play. It’s a matter of knowing the records, the rest happens organically.

What’s your secret to keeping a crowd engaged for this length of time?

SHARAM: You have to treat them with respect. They are there to see you so they have certain expectations. You can’t go up there and play what you want to hear for 10 hours. You have to entertain them while educating them at the same time and make it all seamless. With that mindset, you just have fun. It’s like a house party with 4,000 plus of your friends.

Music aside, how do you as a performer prepare for a gig like this?

SHARAM: If I can, I take a nap before the gig. Sometimes that’s not possible given the crazy schedule, of course, but that’s what I like to do. Then a nice dinner with friends, some wine and a double shot of espresso.

For those not lucky enough to have visited the Warung Beach Club, describe for us its setting and why you think it’s nicknamed by locals – the ‘electronic music temple’.

SHARAM: The club is made out of logs. It’s like a huge mountain cabin in the middle of the woods that also happens to be beach front. It’s quite unique with all the nature around you. It has a long and cosy dancefloor – probably the longest in the world. The best part is when day light beaks. It’s something extraordinary when the entire floor raises their hands in the air and you see the sky and the beach behind them.

Is there anywhere on earth that compares to this venue?

SHARAM: Not really. It’s pretty unique. There might have been other clubs that have tried to capture that vibe and setting but this one is the original and it’d be hard to replicate it – in terms of location, vibe and uniqueness.

Pete Tong described you as being ‘on devastating form’ before the broadcast of two hours of your Warung set as a Radio 1 Essential Mix. Is this also how you see your career right now?

SHARAM: It’s nice to get compliments from your peers – especially someone of his stature. I’ve had my fair share of peaks and valleys over the years, but the funny thing is there hasn’t been much change in my approach to music and DJ style during this time. People’s expectations and interpretation of my last record to come out, make what I do a debatable subject. My main motivation and goal is to always push the boundaries, do what inspires me and do away with the status quo. Ultimately the fans are the judge and I’ve been very fortunate to have them on my side.

You’ve enjoyed chart success which has brought the Sharam name into the mainstream consciousness, but at the same time you’re still a highly regarded producer on the underground scene. How have you achieved this balance without ‘selling out’?

SHARAM: As an artist I try to evolve as I find it very limiting to only play and make one kind of music. I read a quote by Brad Pitt recently that captured the essence of it. He recalled a time when he had a conversation with another movie star about a particular project. That movie star said: “My audience would never allow me to do that”. He said it was like cymbals going off in his head. He never wanted to be shackled by that and wanted the freedom to do what challenged him with his different characters.

That’s exactly how I’ve always approached it. I hate to be pigeon holed because it creates creative limitation, but some people have a hard time understanding me because they can’t put me in one category. I need the adrenaline of the unexpected to thrive.

You’ve been producing and performing as a solo artist since 2006. Do miss being part of the Deep Dish duo?

SHARAM: We did that for a long time and achieved a lot of things we could have never dreamed of, but it became necessary for us to spread our individual artistic wings as it was limiting at times for both of us. Being part of a duo is a lot of fun though so, yes, I do miss that at times.

There are a whopping 7 unreleased tracks on your Live at Warung album, with 4 of these forthcoming on your label Yoshitoshi. Which tracks are next up in the release schedule?

SHARAM: So many great records! A re-release of Jungle Drums from Tom Middleton with remixes from Robert Babicz and Sinisa Tamamovic. We’ve just released an amazing new Pig & Dan album – I played a few of their album tracks at Warung but only my remix of their Detonate track made it on to my album. There are tracks by El Mundo & Satori and Samio who make their debuts, plus a couple of my own unreleased tracks. I wore my techno hat again for ‘Que Cubano’ and my dub step fusion hat for ‘In My Arms’ with a Damez Jean remix.

You’re returning to play at Warung on 29th October. What do you have up your sleeve for the night?

SHARAM: Of course I will be playing a bunch of stuff from the album, but I also have tons of records that I have earmarked for that night already. You can find some of these cuts on my Wildcast & Yoshitoshi Radio episodes but I guess the best way to hear it all is to be there!

Sharam ‘Warung Beach Club – Live Brasil’ is out NOW on Yoshitoshi Recordings

Buy it Now on iTunes

Buy it now on Beatport

]]> http://sharam.com/sharam-releases-3-hours-of-his-most-talked-about-set-2/feed/ 0 http://sharam.com/sharams-wildcast-episode-49/ http://sharam.com/sharams-wildcast-episode-49/#comments Mon, 24 Oct 2011 02:38:48 +0000 admin http://sharam.com/?p=11984 Sharam Live at Warung Beach Club Brasil is available now on Beatport and iTunes! This mix features Sinisa Tamamovic’s remix of Tom Middleton’s ‘Jungle Drums’ out October 25th! Vote for your favorite track and hear it on the next Wildcast!
1. Sneaky Sound System – We Love (Pleasurekraft Remix) [Modular]
2. 2000 And One – Inside Job [100% Pure]
3. Siwell – Timeless [Sphera Records]
4. Denis The Menace & Markus Binapfl Feat Rachele – Sunshine In My Heart (Stefano Noferini Remix) [Haiti Groove Recordings]
5. Elay Lazutkin – Dark Texture [Ibz Recordings]
6. Delgado, Townston – Madness [Great Stuff Recordings]
7. Tom Middleton – Jungle Drums (Sinisa Tamamovic Remix) [Yoshitoshi]
8. DJ Simi – Dancing Tree [Yoshitoshi]
9. Sharam – Que Cubano [Yoshitoshi]
10. Ramon Tapia – Pelican [Gem Recordings]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

NOW AVAILABLE AT

SHARAM’S FIRST COMPILATION ALBUM IN 5 YEARS!

Recorded live at Warung, Brazil’s electronic ‘music temple’ this three-hour genre-bending set stands as a testament to Sharam’s dedication to educating while entertaining the masses without any musical limitations. Not only was his head-turning 10-hour set a hit at Warung breaking the club’s all time attendance record, the set also formed the basis of a prestigious Essential Mix in May 2011 on BBC Radio 1, with Pete Tong describing Sharam “on devastating form.”

TRACKLISTING

Disc 1:
1. Sharam feat. Lisa Ekdahl – In My Arms (Damez Jean Mix)
2. Luca Bacchetti – What Your Soul Sings (Paul Ritch Remix)
3. Jon Rundell – Can’t Stop
4. Nadastrom – WEPA
5. Koen Groeneveld – Turboprop (Ahmet Sendil Remix)
6. Federico Epis – Rafaela
7. The Ghetto Boys – The Ghetto Track (El Mundo, Satori Remix)
8. Sharam feat. Anousheh – Fun (Pirupa People Vocal Mix)
9. Joe T Vannelli – It’s Gotta Be Big
10. Paul Ritch – Wonderland
11. Sharam feat. Mario Vazquez – Wild Drumz (Rene Kuppens Remix)
12. Sharam feat. Anousheh – Don’t Say a Word (Sharam’s Own Remix)
13. Afrojack – Bye8again
14. Sharam – Que Cubano

Disc 2:
1. Mark Broom & Mihalis Safras – Tru Tru (Paul Ritch Remix)
2. Tom Middleton – Jungle Drums
3. Pig & Dan – Detonate (Sharam’s Crazi Remix)
4. King Britt – NOW feat. Astrid Suryanto (Sharam Crazi Remix)
5. Alan Fitzpatrick – Paranoize (Adam Beyer & Jesper Dahlback Remix)
6. Trancesetters – Roaches (Peace Division Remix)
7. Alexander Kowalski – Friendly Fire (Dosem Remix)
8. Samio – Make Sure to Keep It Up
9. Nic Fanciulli – Caller ID (Radio Slave Remix)
10. Sharam feat. Anousheh – Fun (Funhouse Remix)
11. Secret Cinema – Timeless Altitude (Slam Paragraph Remix)
12. Sharam vs. Shakira – MITT

WATCH THE TEASER:

FOR MORE INFORMATION GOTO SHARAM.COM/WARUNG-CD

NOW AVAILABLE AT

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

Sharam – Fun (FTDK Club Mix) [Promo Edit]

Sharam – Fun (FTDK Dub Mix) [Promo Edit]

Sharam – Fun (FTDK Radio Mix) [Promo Edit]

1. Patrick Lindsey – What I Remember feat. K. Mason [Hideout]
2. Giorgio Roma – Across The Eastside [Rockets and Ponies]
3. Matthew Dear – Little People, Black City (Sascha Dive Dub Remix) [Spectral Sound]
4. Eddie Amador – House Music (Pig & Dan’s Moog Remix) [Yoshitoshi Unreleased] – Out Now on iTunes!
5. Sinisa Tamamovic – Waking Up [SCI+TEC Digital]
6. Patrick Siech – Dome [Break New Soil]
7. Joseph Capriati – Psycology [Drumcode]
8. Sharam – Fun (FTDK Dub Mix) [Yoshitoshi Unreleased]
9. 16 Bit Lolitas feat. Glowfield – Reefteef [Bits and Pieces]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

1. Mauro Picotto – I Am What I Am (Nicole Moudaber Remix) [Alchemy (Italy)]
2. Sasha Carassi – Poison [Rekluse]
3. Joseph Capriati – Psycology [Drumcode]
4. Rino Cerrone vs. Shermanology – Blessed (Sharam’s Needing Chords edit) [Unreleased]
5. Luigi Madonna – Collusion [Rekluse]
6. Quivver – Funktribe (Pig & Dan Remix) [Yoshitoshi]
7. System 7 – Positive Noise (A. Mochi Remix02) [Wakyo Records]
8. Phil Kieran – Le Carrousel (Egbert Remix) [Phil Kieran Records]
9. Pan-Pot & Pascal Mollin – The Elephant {Joseph Capriati Remix) [Touched]
10. Sharam – God Always [Yoshitoshi]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

Sharam’s Wildcast #44 Tracklisting
1. Modul – Keegan [Highway Records]
2. Mauro Picotto – I Am What I Am (Nicole Moudaber Remix) [Alchemy (Italy)]
3. &ME – Empire State [Keinemusik]
4. Kosheen DJs – Skimming (Namito Remix) [BluFin]
5. Remy Unger – Jawgrinder [Gem Records]
6. Sinisa Tamamovic – The Drums [SCI+TEC Digital]
7. Mark Fanciulli – The Tide (Joris Voorn Edit) [Rejected]
8. Dosem – Freed [Tronic]
9. Federico Epis  – She Always Tries [Yoshitoshi] Buy it on Beatport
10. Stefano Noferini – My Forbidden Game [Deeperfect Records]

To Download and Receive Sharam’s Latest Podcast Subscribe Here:

1. Patrice Baumel – Vapour (Joris Voorn Solid Mix) [Trouw]

2. Paul Harris & Alex Tepper – Mumbo Gumbo [Saved Records]

3. Pirupa – The Leader [Snatch! Records]

4. Dubfire & Oliver Huntemann – Terra [Ideal Audio]

5. Andrea Garosi – The Body First [Pearl Musique]

6. Butch – Big Futt [Cecille]

7. John Acquaviva, Olivier Giacomotto – Bunga Bunga feat. B Berlusconi [Definitive Recordings]

8. Federico Epis – Rafaela [Yoshitoshi]

9. Sinisa Tamamovic – Little People [Sci Tec]

10. Ramon Tapia – Talk To Me [100% Pure]

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1. Spektre & Miniminds – Guillotine (Christian Smith Remix) [Global Underground]

2. Shlomi Aber – Propaganda (Paul Rich Remix) [Ovum Recordings]

3. Luigi Madonna – Reset [Rekluse]

4. Quivver – Funktribe (Pig & Dan Remix) [Yoshitoshi Unreleased]

5. Nick Cenik – Cote D’ivoire [Incorrect Music]

6. Santos – Zagros (Riva Starr Superdub) [Unreleased]

7. Phunk Investigation – Belo Horizonti (Ahmet Sendil Remix) [Global Underground]

8. Bart Skils – Dust [Tronic]

9. Subfractal & Anthony Attalla – Grape Ape [Incorrect Music]

10. Slingshot – Anthony Castaldo Remix [Mirabilis Records]

11. Psycatron – People in Glass Houses (Psycatron’s Lateral Thinker Mix) [Tresor]

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Sharam’s Wildcast #42 (All Techno Edition) by Sharam

Use ‘God Always’ to create a Mash-Up using any track or acapella from any artist, or use your own original idea.

1st place winners will receive:

1. The opportunity to open for Sharam in a city 250 miles near you along with a flight and hotel. Subject to approval after mix submission.

2. A dedicated post with a download link on Sharam.com as well as a number of plugs via Sharam & Yoshitoshi Twitters and Facebook.

3. A 2gb thumb-drive containing the latest Sharam and Yoshitoshi tracks.

4. A signed T-shirt from Sharam.

The judging panel will consist of Sharam and the Yoshitoshi crew, they will be looking for what sounds best.

2 Runner Ups:

1.  A 2gb thumb-drive containing the latest Sharam and Yoshitoshi tracks.

The judging panel will consist of Sharam and Yoshitoshi employees.

Competition Rules:

1. Download the WAV of God Always from Beatport HERE

2. Make your Mash-Up, it doesn’t matter how you choose to do it. As an added bonus if you choose to use a Yoshitoshi or original vocal we’ll consider  releasing it.

4. All files must be in WAV format.

3. Title your mash-Up like this but insert your name where appropriate:

Sharam – God Always vs.”the other track you use” (“Insert your artist name” Mash-Up)

4. Submit below.

5. Mash-up submissions must be made by Wednesday 08/08/11 5 pm EST.

6. Winners will be announced at 5pm EST Friday 8/15/11 via www.facebook.com/sharam . Be sure to “like” the page in order to see the announcement.

7. There is no limit to the number of submissions a contestant can make.

This contest is open only until 8/8/2011.

COOL CUTS CHART 30/06/11

Download Sharam’s “God Always” on Beatport!

“Twisting heads on the floor with this slammin’ speed garage vibed groove…” -DMC Buzz Chart

“Cool new club track that was hot in Miami” -Music Week

Sharam – God Always (Take It) [Promo] by Sharam

Sharam – God Always (Dub) [Promo] by Sharam

]]> http://sharam.com/godalways/feed/ 0 http://sharam.com/wc39 http://sharam.com/wc39#comments Fri, 10 Jun 2011 19:31:38 +0000 admin http://sharam.com/?p=10789 Sharam’s Wildcast Episode 39 featuring songs from , Umek  Kaiserdisco, DJ Simi’s “Dream It” out now available on Beatport!

1. Cari Lekebusch – Ana Kata [Mote Evolver]

2. Egbert – Topaz [Gem Records]

3. Joseph Capriati – Hooter (Hans Bouffmyhre Remix) [Analytictrail]

4. Umek – Dementia (Taster Peter Remix) [Hell Yeah]

5. Kosheen DJs – Clipper [1605]

6. Kaiserdisco – Peak Tram [Drumcode]

7. Uto Karem, Sebastien Leger – Danceflood [Mistakes Music]

8. DJ Simi – Dream It (Egbert Remix) [Yoshitoshi]

9. Stephan Bazbaz – Overrated Love [Tribal Rage]

10. Lake & Lys – La Tromba (Riva Starr Remix) [Vendetta Records]

11. D-Unity – Magoro [303Lovers]

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Sharam’s Wildcast #39 by Sharam